for now, it’s best to email me if you would like to see any scores [or hear any recordings that aren’t online]


🎹

SONATA / piano / 8’ / 2018 / ︎/ ︎
^{a sort of microsonata}

SLOW DAY NO. 5 / piano / 2’ / 2020 / ︎
^{a song without words}

THE DISSOLUTE SOCIETY COMPRISED OF ALL SORTS / piano / 35’ / 2021
^{a suite based on Biber’s Battalia}

🎤


FALLING UP SONGS / soprano, vln, bcl, pft / 4’ / 2016 

LA LUNE NE GARDE AUCUNE RANCUNE / tenor, fl, cl, bcl, hn, vl, vla, vlc / 16’ / 2018 / ︎
^{text by T.S. Eliot}

MONTREAL SONGS /medium voice, piano / 14’ / 2021
^{three folk song arrangements in French, English and Yiddish}

DEAD HORSES / solo voice  / 12’ / 2021 
^{text by me, RAM200 commission}

I WISH I COULD SPEAK TO YOU / medium-high voice, piano / 3’ / 2021
^{text by Dan Sociu}

HOW TO SING AND PLAY THE HARP / soprano, harp / 11’ / 2022
^{text by Dan Sociu}

 
🎭️


FOR PEACE AND COUNTRY [CHAMBER OPERA] / mezzo-soprano: ebcl, cl, bcl, a-sax, bn, tr, tb, vl, vlc, pft / 16’ / 2018 / ︎/ ︎



🎺️🎻🪕


AYBROOK STREET / six sight-reading violinists of any ability / 12’ / 2017 
^{a made-to-order piece, premiered at The Ditch, Shoreditch Town Hall}

HOW TO DRAW / string quartet / 6’ / 2018 
^{written for Dartington International Summer School, premiered there by the Heath Quartet}

AND OTHER THINGS / clarinet, cello, piano / 4’ / 2018 / ︎
^{written at Dartington International Summer School, premiered there by the Tritium Trio, relating to Charles Ives}

SLOW DAY NO. 6 / piano + any other instrument, range Db4-B5 / 2’ / 2020
^{Slow Day No. 5 [see above] but with a bit more going on}

SOMETHING PRETTY / harp, piano / 4’ / 2020
^{brunch music for Olivia Jageurs and Thomas Ang, at the Fidelio Cafe}

AND OTHER THINGS [version 2] / violin, cello, piano / 11’ / 2021 
^{more things relating to Charles Ives}

THINKPIECE / flute, horn, cello + tape / 11’ / 2021 
^{verses and choruses with some thoughts about Messiaen at the end}

BOWED AND BLOWED / clarinet, violin, cello / 6’ / 2022 
^{Listenpony commission, written for a trio from Explore Ensemble}

LURID CUPOLA MOSS / violin, viola, cello / 9’ / 2022
^{Nash Ensemble commission, premiered at Wigmore Hall}

BOWED BLOWED AND HIT / recorder[s], violin, double bass, marimba / 9’ / 2022
^{flexible[ish] scoring, any blowed instrument, any two bowed instruments, and any hit instrument could play this}

STRANGE ISABELLA / wind quintet, piano / 2’ / 2022
^{Stomping Ground commission, programmed alongside Isabella Leonarda}

AND OTHER THINGS [version 3?] / clarinet, cello, piano /  10’ / 2022
^{I like this one the most}

FRIENDS / kalimba, trumpet / 10-20’ / 2022
^{bathroom music}



🎺️🎺️🎺️🎻🎻🎻🎻🪕🪕🪕🪕


ABSURD WALLS / string orchestra [min. 3,3,3,3,2] / 4’ / 2016

SUBLUNAR / orchestra - no percussion / 8’ / 2019
^{very yearning, + there’s an Ives song somewhere in the middle}


  🛠️

PIANO QUINTET, title tbc, premiere 12/22

orchestration of MONTREAL SONGS, for fun

biographies